Background[]
David Mitchell is the acclaimed British author of Cloud Atlas , A Thousand Autumns of Jacob de Zoet , Black Swan Green , Number9Dream and Ghostwritten . Mitchell was born in Merseyside, England on January 12, 1969 and grew up in Worcestershire, England. He attended the University of Kent where he studied American and English literature and ultimately obtained an M.A. in Comparitive Literature.
Mitchell has lived all over the world, including Sicily and Hiroshima, Japan where he taught English for eight years. He currently lives in Ireland with his wife Keiko and their two children.
Career[]
Ghostwritten '(1999)
Mitchell's first novel and winner of the John Llewellyn Rhys Prize, Ghostwritten takes readers on a mesmerizing trek across a world of human experience through a series of ingeniously linked narratives.
Oblivious to the bizarre ways in which their lives intersect, nine characters-a terrorist in Okinawa, a record-shop clerk in Tokyo, a money-laundering British financier in Hong Kong, an old woman running a tea shack in China, a transmigrating “noncorpum” entity seeking a human host in Mongolia, a gallery-attendant-cum-art-thief in Petersburg, a drummer in London, a female physicist in Ireland, and a radio deejay in New York-hurtle toward a shared destiny of astonishing impact. Like the book’s one non-human narrator, Mitchell latches onto his host characters and invades their lives with parasitic precision, making Ghostwritten a sprawling and brilliant literary relief map of the modern world.
Number9Dream (2001)
Mitchell's second novel, Number9Dream, was short-listed for the Man Booker Prize and the James Tait Black Memorial Prize. The novel is an intoxicating ride through Tokyo’s dark underworlds and the even more mysterious landscapes of our collective dreams.
David Mitchell follows his eerily precocious, globe-striding first novel, Ghostwritten, with a work that is in its way even more ambitious. In outward form, Number9Dream is a Dickensian coming-of-age journey: Young dreamer Eiji Miyake, from remote rural Japan, thrust out on his own by his sister’s death and his mother’s breakdown, comes to Tokyo in pursuit of the father who abandoned him. Stumbling around this strange, awesome city, he trips over and crosses—through a hidden destiny or just monstrously bad luck—a number of its secret power centers. Suddenly, the riddle of his father’s identity becomes just one of the increasingly urgent questions Eiji must answer. Why is the line between the world of his experiences and the world of his dreams so blurry? Why do so many horrible things keep happening to him? What is it about the number 9? To answer these questions, and ultimately to come to terms with his inheritance, Eiji must somehow acquire an insight into the workings of history and fate that would be rare in anyone, much less in a boy from out of town with a price on his head and less than the cost of a Beatles disc to his name.
Cloud Atlas (2004)
Mitchell's third novel and nominee for the Booker Prize, Cloud Atlas erases the boundaries of language, genre and time to offer a meditation on humanity's dangerous will to power, and where it may lead us.
A reluctant voyager crossing the Pacific in 1850; a disinherited composer blagging a precarious livelihood in between-the-wars Belgium; a high-minded journalist in Governor Reagan’s California; a vanity publisher fleeing his gangland creditors; a genetically modified “dinery server” on death-row; and Zachry, a young Pacific Islander witnessing the nightfall of science and civilisation — the narrators of Cloud Atlas hear each other’s echoes down the corridor of history, and their destinies are changed in ways great and small.
Black Swan Green (2006)
Mitchell's fourth novel and one of the 10 Best Books of the Year by Time, Black Swan Green is a sinewy, meditative novel of boyhood on the cusp of adulthood and the old on the cusp of the new.
Black Swan tracks a single year in what is, for thirteen-year-old Jason Taylor, the sleepiest village in muddiest Worcestershire in a dying Cold War England, 1982. But the thirteen chapters, each a short story in its own right, create an exquisitely observed world that is anything but sleepy. A world of Kissingeresque realpolitik enacted in boys’ games on a frozen lake; of “nightcreeping” through the summer backyards of strangers; of the tabloid-fueled thrills of the Falklands War and its human toll; of the cruel, luscious Dawn Madden and her power-hungry boyfriend, Ross Wilcox; of a certain Madame Eva van Outryve de Crommelynck, an elderly bohemian emigré who is both more and less than she appears; of Jason’s search to replace his dead grandfather’s irreplaceable smashed watch before the crime is discovered; of first cigarettes, first kisses, first Duran Duran Lps, and first deaths; of Margaret Thatcher’s recession; of Gypsies camping in the woods and the hysteria they inspire; and, even closer to home, of a slow-motion divorce in four seasons.
The Thousand Autumns of Jacob de Zoet (2010)
Mitchell's fifth novel is a stunning departure for this brilliant, restless, and wildly ambitious author, a giant leap forward by even his own high standards. A bold and epic novel of a rarely visited point in history, it is a work as exquisitely rendered as it is irresistibly readable.
The year is 1799, the place Dejima in Nagasaki Harbor, the “high-walled, fan-shaped artificial island” that is the Japanese Empire’s single port and sole window onto the world, designed to keep the West at bay; the farthest outpost of the war-ravaged Dutch East Indies Company; and a de facto prison for the dozen foreigners permitted to live and work there. To this place of devious merchants, deceitful interpreters, costly courtesans, earthquakes, and typhoons comes Jacob de Zoet, a devout and resourceful young clerk who has five years in the East to earn a fortune of sufficient size to win the hand of his wealthy fiancée back in Holland.
But Jacob’s original intentions are eclipsed after a chance encounter with Orito Aibagawa, the disfigured daughter of a samurai doctor and midwife to the city’s powerful magistrate. The borders between propriety, profit, and pleasure blur until Jacob finds his vision clouded, one rash promise made and then fatefully broken. The consequences will extend beyond Jacob’s worst imaginings. As one cynical colleague asks, “Who ain’t a gambler in the glorious Orient, with his very life?”